Research Output
Affect and materiality of Graffiti in times of crisis
  The impetus for this visual-based presentation comes from serendipitous encounters with certain types of graffiti in Edinburgh during the covid-19 lockdown. As a fl芒neuse (Elkin, 2016) of Asian heritage, I explore my subjective and embodied (gendered and racialised) experience of walking/wandering the streets of Edinburgh against the backdrop of anti-Asian hate crime in the early days of the pandemic. Every single step I took became not only a radical act of (pro)claiming my right of space but also as symbol of defiance against racist and violent attacks on Asians and those of Asian descent.

In one of my walks, I was enchanted by graffiti messages hastily written on grubby walls, pavements, and metal bins. The messages transformed the physical space into an agentive and semiotized social, political and (inter) cultural space that evokes identities, and enables certain patterns of behaviour (Blommaert, 2013, p. 3). Indeed, I suggest that graffiti can be considered as a 鈥渞elational object鈥 a 鈥済eometric place of a negotiation with countless correspondents and recipients鈥(Bourriaud, 2002, p. 11).

Drawing from cultural psychogeography and semiotic linguistic landscaping, I used d茅rive or 鈥榙rift鈥 (Pyyry, 2019) and photography as data collection methods. Data consists of pictures and entries on my reflection journal. The analytic process privileges 鈥榬emembered emotion鈥 (Schrauf & Rubin, 2004, p. 23) as triggered by the photographs. I conclude this presentation by suggesting ways to enrich and open up the intercultural studies space through methodological interdisciplinarity.

Notes derive
D茅rive 鈥 an open-ended drift in the city 鈥揳 method of doing urban research. The knowing subject never precedes the event of thinking, but emerges with it; a process of cultivating 鈥渢hinking with鈥 the urban flow of things ((Pyyry, 2019).

References
Blommaert, J. (2013). Ethnography, Superdiversity and Linguistic Landscapes. In Ethnography,
Superdiversity and Linguistic Landscapes. Multilingual Matters. https://doi.org/10.21832/9781783090419
Bourriaud, N. (2002). Relational Aesthetics. In Les presses du r茅el. https://doi.org/10.1057/9781137026675.0011
Elkin, L. (2016). Flaneuse: Women walk the city in Paris, New York, Tokyo, Venice and London. Chatto and Windus.
Pyyry, N. (2019). From psychogeography to hanging-out-knowing: Situationist d茅rive in nonrepresentational urban research. Area, 51(2), 315鈥323. https://doi.org/10.1111/area.12466
Schrauf, R. W., & Rubin, D. C. (2004). The 鈥渓anguage鈥 and 鈥渇eel鈥 of bilingual memory: Mnemonic traces. Estudios de Sociolinguistica, 5(1), 21鈥39.

  • Type:

    Conference Paper (unpublished)

  • Date:

    01 December 2023

  • Publication Status:

    Unpublished

  • Funders:

    Edinburgh Napier Funded

Citation

麻豆社区

Victoria, M. (2023, December). Affect and materiality of Graffiti in times of crisis. Paper presented at Rethinking intercultural communication beyond verbal language, Nicosia, Cyprus

Authors

Keywords

Affect, Mataeriality, Graffiti

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